Styling a list of nested details elements to create a beautiful lokking tree view, all in CSS, all nicely accessible.
Progressive enhancement is a design and development principle where we build in layers which automatically turn themselves on based on the browser’s capabilities.
The idea of progressive enhancement is that everyone gets the perfect experience for them, rather than a pre-determined “perfect” experience from a design and development team.
Laying out sheet music with CSS grid—sounds extreme until you see it abstracted into a web component.
We need fluid and responsive music rendering for the web!
Adam makes a very good point here: the term “vertical rhythm” is quite chauvanistic, unconciously defaulting to top-to-bottom writing modes; the term “logical rhythm” is more universal (and scalable).
Heydon does a very good job of explaining why throwing away the power of selectors makes no sense.
Utility-first detractors complain a lot about how verbose this is and, consequently, how ugly. And it is indeed. But you’d forgive it that if it actually solved a problem, which it doesn’t. It is unequivocally an inferior way of making things which are alike look alike, as you should. It is and can only be useful for reproducing inconsistent design, wherein all those repeated values would instead differ.
He’s also right on the nose in explaining why something as awful at Tailwind could get so popular:
But CSS isn’t new, it’s only good. And in this backwards, bullshit-optimized economy of garbage and nonsense, good isn’t bad enough.
I remember Jon telling me this lovely story when we first met in person. I love the idea that we had already met in a style sheet.
I also love the idea of hosting your own little internet archive—that Bill Oddie site still looks pretty great to me!
It’s a lot like an embarrassing family photo, but I’m owning it!
A little fix for Safari.
Had you heard of these bits of CSS? Me too/neither!
Going back to school in Amsterdam.
Separate your concerns.
Styling a document about The Culture novels of Iain M Banks.