Tags: influence

The idle elite

At this point, if you’re still on Twitter, it might be time to accept a hard fact about yourself: there’s not a single thing that its leadership could do that would push you off the site.

I try not be judgy, but if you’re still posting to Twitter, I’m definitely judging you.

Maybe you feel like you have a megaphone. That it’s hard to walk away from a big number, even if you know the place sucks and the people listening now are mostly desperate blue-tick assholes. That’s a choice you can make, I guess! But if you have a follower count in the thousands and have ever complained that rich people aren’t pulling their weight, or that elites acting in their self-interest is bad for society at large, you should probably take a long hard look in the mirror tonight.

I had around 150,000 followers on Twitter. I’ve left Twitter. So can you.

I think it was Jason who once told me that if you want to make someone’s life a misery, teach them about typography. After that they’ll be doomed to notice all the terrible type choices and kerning out there in the world. They won’t be able to unsee it. It’s like trying to unsee the arrow in the FedEx logo.

I think that Stewart Brand’s pace layers model is a similar kind of mind virus, albeit milder. Once you’ve been exposed to it, you start seeing in it in all kinds of systems.

Each layer is functionally different from the others and operates somewhat independently, but each layer influences and responds to the layers closest to it in a way that makes the whole system resilient.

Last month I sent out an edition of the Clearleft newsletter that was all about pace layers. I gathered together examples of people who have been infected with the pace-layer mindworm who were applying the same layered thinking to other areas:

• Rich applied pace layers to career paths,
• Mark applied pace layers to the design process, and
• Jorge Arango applied pace layers to reading.

My own little mash-up is applying pace layers to the World Wide Web. Tom even brought it to life as an animation.

See the Pen Web Layers Of Pace by Tom (@webrocker) on CodePen.

Recently I had another flare-up of the pace-layer pattern-matching infection.

I was talking to some visiting Austrian students on the weekend about design principles. I explained my mild obsession with design principles stemming from the fact that they sit between “purpose” (or values) and “patterns” (the actual outputs):

Purpose » Principles » Patterns

Your purpose is “why?”

That then influences your principles, “how?”

Those principles inform your patterns, “what?”

Hey, wait a minute! If you put that list in reverse order it looks an awful lot like the pace-layers model with the slowest moving layer at the bottom and the fastest moving layer at the top. Perhaps there’s even room for an additional layer when patterns go into production:

• Production
• Patterns
• Principles
• Purpose

Your purpose should rarely—if ever—change. Your principles can change, but not too frequently. Your patterns need to change quite often. And what you’re actually putting out into production should be constantly updated.

As you travel from the most abstract layer—“purpose”—to the most concrete layer—“production”—the pace of change increases.

I can’t tell if I’m onto something here or if I’m just being apopheniac. Again.

When I wrote about the new accent-color property in CSS, I pondered how much control a web developer should have over styling form controls:

Who are we to make that decision? Shouldn’t the user’s choice take primacy over our choices?

But then again, where do we draw the line? We’re allowed over-ride link colours. We’re allowed over-ride font choices.

Ultimately, I came down on the side of granting authors more control:

If developers don’t get a standardised way to customise native form controls, they’ll just recreate their own over-engineered versions.

This question of “who gets to decide?” used to be much more prevelant in the early days of the web. One way to think about this is that there are three stakeholders involved in the presentation of a web page:

1. The author of the page. “Author” is spec-speak for designer or developer.
2. The user.
3. The browser, or user agent. A piece of software tries to balance the needs of both author and user. But, as the name implies, the user takes precedence.

These days we tend to think of web design a single-stakeholder undertaking. The author decides how something should be presented and then executes that decision using CSS.

But as Eric once said, every line of you CSS you write is a suggestion to the browser. That’s not how we think about CSS though. We think of CSS like a series of instructions rather than suggestions. Never mind respecting the user’s preferences; one of the first things we do is reset all the user agent’s styles.

In the early days of the web, more consideration was given to the idea of style suggestions rather than instructions. Heck, users could always over-ride any of your suggestions with their own user stylesheet. These days, users would need to install a browser extension to do the same thing.

The first proposal for CSS had a concept called “influence”:

h2.font.size = 20pt 40%

Here, the requested influence is reduced to 40%. If a style sheet later in the cascade also requests influence over h2.font.size, up to 60% can be granted. When the document is rendered, a weighted average of the two requests is calculated, and the final font size is determined.

I think the only remnant of “influence” left in CSS is accidental. It’s in the specificity of selectors …and the !important declaration.

I think it’s a shame that user stylesheets are no longer a thing. But I get why they were dropped from browsers. They date from a time when it was mostly nerds using the web, before “regular folks” came on board. I understand why it became a little-used feature, suitable for being dropped. But the principle of it still rankles slightly.

But in recent years there has been a slight return to the multi-stakeholder concept of styling websites. Thanks to prefers-reduced-motion and prefers-color-scheme, a responsible author can choose to bow to the wishes of the user.

I was reminded of this when I added a dark mode to my website:

Y’know, when I first heard about Apple adding dark mode to their OS—and also to CSS—I thought, “Oh, great, Apple are making shit up again!” But then I realised that, like user style sheets, this is one more reminder to designers and developers that they don’t get the last word—users do.

Hidde gave a great talk recently called On the origin of cascades (by means of natural selectors):

It’s been 25 years since the first people proposed a language to style the web. Since the late nineties, CSS lived through years of platform evolution.

It’s a lovely history lesson that reminded me of that great post by Zach Bloom a while back called The Languages Which Almost Became CSS.

The TL;DR timeline of CSS goes something like this:

• June 1993: Rob Raisch proposes some ideas for stylesheets in HTML on the www-talk mailing list.
• October 1993: Pei Wei shares his ideas for a stylesheet language, also on the www-talk mailing list.
• October 1994: Håkon Wium Lie publishes Cascading HTML style sheets — a proposal.
• March 1995: Bert Bos publishes his Stream-based Style sheet Proposal.

Håkon and Bert joined forces and that’s what led to the Cascading Style Sheet language we use today.

Hidde looks at how the concept of the cascade evolved from those early days. But there’s another idea in Håkon’s proposal that fascinates me:

While the author (or publisher) often wants to give the documents a distinct look and feel, the user will set preferences to make all documents appear more similar. Designing a style sheet notation that fill both groups’ needs is a challenge.

The proposed solution is referred to as “influence”.

The user supplies the initial sheet which may request total control of the presentation, but — more likely — hands most of the influence over to the style sheets referenced in the incoming document.

So an author could try demanding that their lovely styles are to be implemented without question by specifying an influence of 100%. The proposed syntax looked like this:

h1.font.size = 24pt 100%

More reasonably, the author could specify, say, 40% influence:

h2.font.size = 20pt 40%

Here, the requested influence is reduced to 40%. If a style sheet later in the cascade also requests influence over h2.font.size, up to 60% can be granted. When the document is rendered, a weighted average of the two requests is calculated, and the final font size is determined.

Okay, that sounds pretty convoluted but then again, so is specificity.

This idea of influence in CSS reminds me of Cap’s post about The Sliding Scale of Giving a Fuck:

Hold on a second. I’m like a two-out-of-ten on this. How strongly do you feel?

I’m probably a six-out-of-ten, I replied after a couple moments of consideration.

Cool, then let’s do it your way.

In the end, the concept of influence in CSS died out, but user style sheets survived …for a while. Now they too are as dead as a dodo. Most people today aren’t aware that browsers used to provide a mechanism for applying your own visual preferences for browsing the web (kind of like Neopets or MySpace but for literally every single web page …just think of how empowering that was!).

Even if you don’t mourn the death of user style sheets—you can dismiss them as a power-user feature—I think it’s such a shame that the concept of shared influence has fallen by the wayside. Web design today is dictatorial. Designers and developers issue their ultimata in the form of CSS, even though technically every line of CSS you write is a suggestion to a web browser—not a demand.

I wish that web design were more of a two-way street, more of a conversation between designer and end user.

There are occassional glimpses of this mindset. Like I said when I added a dark mode to my website:

Y’know, when I first heard about Apple adding dark mode to their OS—and also to CSS—I thought, “Oh, great, Apple are making shit up again!” But then I realised that, like user style sheets, this is one more reminder to designers and developers that they don’t get the last word—users do.

Performance, security, and ethics: influencing effectively

I wrote something recently about telling the story of performance. Sue Loh emphasis the importance of understanding what makes people tick:

Performance engineers need to be an interesting mix of data-lovers and people-whisperers.

Danielle has posted a brief update on Fractal:

We decided to ask the Fractal community for help, and the response has been overwhelming. We’ve received so many offers of support in all forms that we can safely say that development will be starting up again shortly.

It’s so gratifying to see that other people are finding Fractal to be as useful to them as it is to us. We very much appreciate all their support!

Although Fractal itself is barely two years old, it’s part of a much longer legacy at Clearleft…

It all started with Natalie. She gave a presentation back in 2009 called Practical Maintainable CSS . She talks about something called a pattern porfolio—a deliverable that expresses every component and documents how the markup and CSS should be used.

When Anna was interning at Clearleft, she was paired up with Natalie so she was being exposed to these ideas. She then expanded on them, talking about Front-end Style Guides. She literally wrote the book on the topic, and starting curating the fantastic collection of examples at styleguides.io.

When Paul joined Clearleft, it was a perfect fit. He was already obsessed with style guides (like the BBC’s Global Experience Language) and started writing and talking about styleguides for the web:

At Clearleft, rather than deliver an inflexible set of static pages, we present our code as a series of modular components (a ‘pattern portfolio’) that can be assembled into different configurations and page layouts as required.

Such systematic thinking was instigated by Natalie, yet this is something we continually iterate upon.

To see the evolution of Paul’s thinking, you can read his three part series from last year on designing systems:

1. Theory, Practice, and the Unfortunate In-between,
2. Layers of Longevity, and
3. Components and Composition

Later, Charlotte joined Clearleft as a junior developer, and up until that point, hadn’t been exposed to the idea of pattern libraries or design systems. But it soon became clear that she had found her calling. She wrote a brilliant article for A List Apart called From Pages to Patterns: An Exercise for Everyone and she started speaking about design systems at conferences like Beyond Tellerrand. Here, she acknowledges the changing terminology over the years:

Pattern portfolio is a term used by Natalie Downe when she started using the technique at Clearleft back in 2009.

Front-end style guides is another term I’ve heard a lot.

Personally, I don’t think it matters what you call your system as long as it’s appropriate to the project and everyone uses it. Today I’m going to use the term “pattern library”.

(Mark was always a fan of the term “component library”.)

Now Charlotte is a product manager at Ansarada in Sydney and the product she manages is …the design system!

Thinking back to my work on starting design systems, I didn’t realise straight away that I was working on a product. Yet, the questions we ask are similar to those we ask of any product when we start out. We make decisions on things like: design, architecture, tooling, user experience, code, releases, consumption, communication, and more.

It’s been fascinating to watch the evolution of design systems at Clearleft, accompanied by an evolution in language: pattern portfolios; front-end style guides; pattern libraries; design systems.

There’s been a corresponding evolution in prioritisation. Where Natalie was using pattern portfolios as a deliverable for handover, Danielle is now involved in the integration of design systems within a client’s team. The focus on efficiency and consistency that Natalie began is now expressed in terms of design ops—creating living systems that everyone is involved in.

When I step back and look at the history of design systems on the web, there are some obvious names that have really driven their evolution and adoption, like Jina Anne, Brad Frost, and Alla Kholmatova. But I’m amazed at the amount of people who have been through Clearleft’s doors that have contributed so, so much to this field:

Natalie Downe, Anna Debenham, Paul Lloyd, Mark Perkins, Charlotte Jackson, and Danielle Huntrods …thank you all!

The latest edition of the excellent History Of The Web newsletter is called The Day(s) The Web Fought Back. It recounts the first time that websites stood up against bad legislation in the form of the Communications Decency Act (CDA), and goes to recount the even more effective use of blackout protests against SOPA and PIPA.

I remember feeling very heartened to see WikiPedia, Google and others take a stand on January 18th, 2012. But I also remember feeling uneasy. In this particular case, companies were lobbying for a cause I agreed with. But what if they were lobbying for a cause I didn’t agree with? Large corporations using their power to influence politics seems like a very bad idea. Isn’t it still a bad idea, even if I happen to agree with the cause?

Cloudflare quite rightly kicked The Daily Stormer off their roster of customers. Then the CEO of Cloudflare quite rightly wrote this in a company-wide memo:

Literally, I woke up in a bad mood and decided someone shouldn’t be allowed on the Internet. No one should have that power.

There’s an uncomfortable tension here. When do the ends justify the means? Isn’t the whole point of having principles that they hold true even in the direst circumstances? Why even claim that corporations shouldn’t influence politics if you’re going to make an exception for net neutrality? Why even claim that free speech is sacrosanct if you make an exception for nazi scum?

Those two examples are pretty extreme and I can easily justify the exceptions to myself. Net neutrality is too important. Stopping fascism is too important. But where do I draw the line? At what point does something become “too important?”

There are more subtle examples of corporations wielding their power. Google are constantly using their monopoly position in search and browser marketshare to exert influence over website-builders. In theory, that’s bad. But in practice, I find myself agreeing with specific instances. Prioritising mobile-friendly sites? Sounds good to me. Penalising intrusive ads? Again, that seems okey-dokey to me. But surely that’s not the point. So what if I happen to agree with the ends being pursued? The fact that a company the size and power of Google is using their monopoly for any influence is worrying, regardless of whether I agree with the specific instances. But I kept my mouth shut.

Now I see Google abusing their monopoly again, this time with AMP. They may call the preferential treatment of Google-hosted AMP-formatted pages a “carrot”, but let’s be honest, it’s an abuse of power, plain and simple.

By the way, I have no doubt that the engineers working on AMP have the best of intentions. We are all pursuing the same ends. We all want a faster web. But we disagree on the means. If Google search results gave preferential treatment to any fast web pages, that would be fine. But by only giving preferential treatment to pages written in a format that they created, and hosted on their own servers, they are effectively forcing everyone to use AMP. I know for a fact that there are plenty of publications who are producing AMP content, not because they are sold on the benefits of the technology, but because they feel strong-armed into doing it in order to compete.

If the ends justify the means, then it’s easy to write off Google’s abuse of power. Those well-intentioned AMP engineers honestly think that they have the best interests of the web at heart:

We were worried about the web not existing anymore due to native apps and walled gardens killing it off. We wanted to make the web competitive. We saw a sense of urgency and thus we decided to build on the extensible web to build AMP instead of waiting for standard and browsers and websites to catch up. I stand behind this process. I’m a practical guy.

There’s real hubris and audacity in thinking that one company should be able to tackle fixing the whole web. I think the AMP team are genuinely upset and hurt that people aren’t cheering them on. Perhaps they will dismiss the criticisms as outpourings of “Why wasn’t I consulted?” But that would be a mistake. The many thoughtful people who are extremely critical of AMP are on the same side as the AMP team when it comes the end-goal of better, faster websites. But burning the web to save it? No thanks.

: seriously, just give me a bloody opt-out from this knock-off web

— Alex Russell (@slightlylate) January 14, 2017

Ben Thompson goes into more detail on the tension between the ends and the means in The Aggregator Paradox:

The problem with Google’s actions should be obvious: the company is leveraging its monopoly in search to push the AMP format, and the company is leveraging its dominant position in browsers to punish sites with bad ads. That seems bad!

And yet, from a user perspective, the options I presented at the beginning — fast loading web pages with responsive designs that look great on mobile and the elimination of pop-up ads, ad overlays, and autoplaying videos with sounds — sounds pretty appealing!

From that perspective, there’s a moral argument to be made for wielding monopoly power like Google is doing. No doubt the AMP team feel it would be morally wrong for Google not to use its influence in search to give preferential treatment to AMP pages.

Going back to the opening examples of online blackouts, was it morally wrong for companies to use their power to influence politics? Or would it have been morally wrong for them not to have used their influence?

When do the ends justify the means?

Here’s a more subtle example than Google AMP, but one which has me just as worried for the future of the web. Mozilla announced that any new web features they add to their browser will require HTTPS.

The end-goal here is one I agree with: HTTPS everywhere. On the face of it, the means of reaching that goal seem reasonable. After all, we already require HTTPS for sensitive JavaScript APIs like geolocation or service workers. But the devil is in the details:

Effective immediately, all new features that are web-exposed are to be restricted to secure contexts. Web-exposed means that the feature is observable from a web page or server, whether through JavaScript, CSS, HTTP, media formats, etc. A feature can be anything from an extension of an existing IDL-defined object, a new CSS property, a new HTTP response header, to bigger features such as WebVR.

Emphasis mine.

This is a step too far. Again, I am in total agreement that we should be encouraging everyone to switch to HTTPS. But requiring HTTPS in order to use CSS? The ends don’t justify the means.

If there were valid security reasons for making HTTPS a requirement, I would be all for enforcing this. But these are two totally separate areas. Enforcing HTTPS by withholding CSS support is no different to enforcing AMP by withholding search placement. In some ways, I think it might actually be worse.

There’s an assumption in this decision that websites are being made by professionals who will know how to switch to HTTPS. But the web is for everyone. Not just for everyone to use. It’s for everyone to build.

One of my greatest fears for the web is that building it becomes the domain of a professional priesthood. Anything that raises the bar to writing some HTML or CSS makes me very worried. Usually it’s toolchains that make things more complex, but in this case the barrier to entry is being brought right into the browser itself.

I’m trying to imagine future Codebar evenings, helping people to make their first websites, but now having to tell them that some CSS will be off-limits until they meet the entry requirements of HTTPS …even though CSS and HTTPS have literally nothing to do with one another. (And yes, there will be an exception for localhost and I really hope there’ll be an exception for file: as well, but that’s simply postponing the disappointment.)

No doubt Mozilla (and the W3C Technical Architecture Group) believe that they are doing the right thing. Perhaps they think it would be morally wrong if browsers didn’t enforce HTTPS even for unrelated features like new CSS properties. They believe that, in this particular case, the ends justify the means.

I strongly disagree. If you also disagree, I encourage you to make your voice heard. Remember, this isn’t about whether you think that we should all switch to HTTPS—we’re all in agreement on that. This is about whether it’s okay to create collateral damage by deliberately denying people access to web features in order to further a completely separate agenda.

This isn’t about you or me. This is about all those people who could potentially become makers of the web. We should be welcoming them, not creating barriers for them to overcome.

Someone sent an email to Clearleft recently pointing out what they thought was a certain similarity between our website and the website for a company called Kent Web Host.

I can’t see it myself. But I can’t guarantee that we weren’t somehow unconsciously influenced by these guys.

Just to set the record straight, I gave them a call.

Update: a few points of clarification:

• Garry from Kent Web Host is totally cool with me publishing our conversation.
• I’m not publishing this out of any spirit of schadenfreude. I’m publishing it because it was a fun conversation and Garry handled the situation like a true gent.
• Garry is a really nice guy. If you want to say unkind things about him on Twitter when you’re linking to this, don’t: you don’t know what you’re talking about.

There Was Once a Certain Kind of Cinema

A magnificent piece of writing from Michael, examining the influence of Sergio Leone on George Lucas.

Everything Is A Remix: THE MATRIX on Vimeo

An addendum to the excellent Everything Is A Remix series, focusing on the influences on The Matrix.

Everything is a Remix Part 2 on Vimeo

Part two of Kirby Ferguson’s series focuses on films. Creation requires influence.

Is the Tipping Point Toast? -- Duncan Watts -- Trendsetting

Duncan Watts works at Yahoo Research? I had no idea! Ironically, it was Gladwell's Tipping Point that first led me to Watts' work.

Vitamin Features » Web Design-isms: 7 Surefire Styles that Work

A nice well-illustrated article from Larissa Meek pointing to some design trends that can be applied to the Web.