John Robinson’s Post

We’re just three days away from the final — yes, we did say “final” — deadline for The One Show , ADC and TDC70. Yes, the Friday, March 1 date we announced all the way back in September is almost here, thus beginning the chaotic scramble for entrants to close out their entries and for our team to get those entries into the hands of our incredible jury. It’s enough to stress anybody out! Last year's Gold Pencil winner for moving image and craft came from Neverland/London. Ladbrokes, the UK’s oldest betting company. Transitioning into an entertainment brand, Ladbrokes aimed to engage a broader audience seeking immersive entertainment. By reimagining an iconic cinema moment - Rocky’s legendary run - with Ladbrokes’ sports and gaming personalities, they delivered a moment of pure enjoyment for players and fans alike. The epic film brought together galloping jockeys, flying dirt-bikes, and roaring F1 cars, captivating audiences with innovative storytelling. Enter now: One Show - https://oneshow.org/ ADC - https://adcawards.org/ TDC70 - https://enter.tdc.org/

Traveling?: https://ift.tt/CdwJA38 🚀 Exciting News! 🎮 E3 2024 is facing cancellation, but don't worry, the show is set to make a grand comeback in 2025 with a complete reinvention! 🌟 E3 has been a staple in the gaming industry for years, but due to recent developments, the convention company ReedPop will no longer be working alongside the Entertainment Software Association (ESA) for future events. Following the cancellation of this year's E3, the ESA has also informed the Los Angeles Convention Center that there are no plans to host the show there next year. If E3 does happen in 2024, it will be held in a different venue for the first time since 2008. However, no need to be disheartened! The ESA has big plans in the works, aiming for a complete reinvention of E3 to make a dazzling return in 2025. After signing a multi-year deal with ReedPop to relaunch E3, plans for the event were abruptly canceled for 2023 due to a lack of interest from publishers and developers. Stanley Pierre-Louis, the president and CEO of the ESA, assures us that while the decline of E3 has been a gradual process, they are fully committed to evolving the event to best serve the video game industry. They are evaluating every aspect of E3, from format to location, to bring us an even better experience. We can expect exciting updates in the coming months! It's important to acknowledge that E3's decline was further accelerated by the COVID-19 pandemic. The ESA attempted an all-digital E3 in 2021, which unfortunately resulted in financial losses. Subsequently, the planned shows for 2022 and 2023 were canceled. However, other events like the Summer Game Fest, led by Geoff Keighley, have stepped in to fill the void, creating a vibrant gaming extravaganza during what is now commonly referred to as Not-E3 season. You can dive deeper into the future of E3 and the industry's evolution by reading the full article here: [Link to Blog Post](https://ift.tt/Gs1OPpV) Stay tuned for more thrilling updates and let's anticipate the revival of E3 in 2025! 🎉 #E3 #GamingIndustry #FutureOfE3 #Innovation #GamingNews

As someone hailing from LA, deeply embedded in the gaming industry, I hold a special connection to the Electronic Entertainment Expo (E3). Since its inception in 1995, E3 has been more than just an event; it was a pulsating heart of our world, a place where passion, innovation, and community converged. Its closure is not just an announcement; it feels like the end of a personal chapter, a signpost of changing times in an industry that I hold dear. The ESA's decision to close E3, pivoting towards advocacy, is understandable in an ever-evolving industry landscape. Yet, it's hard not to feel a pang of loss. E3's struggles, amplified by the pandemic and the shift in industry trends, were evident. The rise of digital platforms and events like Geoff Keighley's Summer Game Fest reflect a new era, one that values digital engagement over traditional, physical gatherings. E3's end marks a significant transition. It's a moment to reflect on how far we've come and where we're headed. It's a reminder of the dynamism of the gaming industry and the necessity to adapt and evolve. But for those of us who grew up with E3, who saw it as a beacon of innovation and community, its closure is a poignant moment, a heartfelt farewell to an era that shaped not just the industry, but our lives and careers in profound ways. #gamesindustry

How do you convey multiple messages and an entertaining narrative alongside a strong aesthetic? Just ask Layer Media The team behind the New World: Blunderbuss trailer really knocked it out of the park for Amazon, which is why they deserved the regional win in North America for Best Games Trailer. Congratulations once again to Brennan Ieyoub, Michael Doherty and Anthony Fregosi. Do you have a trailer to rival last year's winners? We want to see it, so head on over to our website to find out how you can enter #TheGlobalEntertainmentAwards in 2024. #EntertainmentMarketingAwards #MediaMarketing #GamingIndustry

GBC Time delved into a conversation with our Head of Marketing, Tereza Melicharkova, to unveil our top-performing slots, what trends we're following and our pivotal objectives for the year ahead. ⭐️ Already conquering major markets like the MGA, SGA, Germany, and the Netherlands, our gaze is firmly set on the UK, with Ontario and Greece in the latter part of the year. 🌎 Our ethos has always been to create games that appeal to as wide an audience as possible, so Tereza explains how we navigate shifting preferences across different markets, steering clear of being confined by passing trends. 🤩 The recent triumph of Tipsy Charms, our debut collaboration with ELYSIUM Studios, was an engaging and feature-rich slot that resonated well with players. This acquisition marks a significant stride towards future triumphs, with our upcoming release, Law of Gilgamesh, primed to set new benchmarks. 🎰 Continue reading: https://lnkd.in/eKemaHfF 📲 #iGaming #Swintt #LetsDoThis #Slots #Casino Swintt Glitnor Group

What is a stadium? It is a confined space that holds thousands, if not tens of thousands, of people. But once those people actually enter, it becomes something else: a home. It says it right there on the scoreboard, in capital letters: HOME. And those are not just people. They are fans. They are legion. They are strangers united for a common cause, and for that cause they would do anything. And that stadium — that space — is where they gather to do it. They are the people who call this place HOME. So why should the space only host games? Why shouldn't the space host tours, dinners, galas, watch parties, merch drops? A stadium becomes a HOME — hallowed, sacred — the moment any two fans, united in their cause, enter it. So don't treat it like it's only a stadium. Treat it likes it's a home. Open the doors on any day of the week, under any pretense, for any purpose. FEVO can help you do this: create new inventory in your home, any day, any time, for all the people who gather there. Read our guide on creating additional inventory to learn more: https://lnkd.in/gKxbXM7k

Sony was once renowned for its innovation, but over time, it seemed to lose this edge. What led to Sony’s apparent decline in innovation? Sony’s Walkman, introduced in 1979, revolutionized the way people listened to music by making it portable and personal. The Walkman was invented by Sony's own subsidiary, Sony Corporation. It was developed within the company's Audio Division. The concept was driven by Sony's co-founder, Akio Morita, who wanted a way to listen to music on the go, leading to the creation of the portable cassette player that was initially launched in 1979. This innovative product marked a significant milestone in personal audio consumption, paving the way for the portable music devices that followed. However, over the years, its market dominance declined due to the emergence of digital music players and smartphones. Sony did attempt to adapt to these changes by releasing digital versions of the Walkman that could play MP3 files and later models that could access streaming services. However, these efforts were often seen as too little, too late, as competitors had already established strong positions in the market. The Walkman’s decline is a classic example of how technological innovation and shifts in consumer behavior can dramatically change the competitive landscape, leading to the decline of once-dominant products. Sony diversified its business successfully beyond electronic devices, notably making significant strides in the entertainment industry, including films and music. Sony Pictures Entertainment, a subsidiary of Sony Corporation, is a major player in the film and television industry, producing and distributing a wide range of movies, TV shows, and digital content. Some of the notable film franchises under Sony Pictures include “Spider-Man,” “James Bond,” and “Jumanji,” among others. In addition to film and television, Sony Music Entertainment is one of the “Big Three” music companies, alongside Universal Music Group and Warner Music Group, and has a rich catalog of artists across various genres. This strategic diversification into content and media has allowed Sony to remain a significant global conglomerate, even as it faced challenges in the electronics market. By leveraging its strengths in content creation and distribution, Sony has managed to create new revenue streams and maintain its relevance in a rapidly changing technological landscape, proving that the company’s innovation extends beyond just electronic devices.

Did you know that radar guns, the iconic tools for measuring speed in sports, have an intriguing origin? Originally developed for wartime use, radar guns made their speed-capturing debut in 1954, all thanks to the pioneering work of Bryce K. Brown. While initially designed for monitoring vehicle speed, they quickly found their way into the world of sports, forever changing the way we analyze and appreciate athletic performance. Just as radar guns transformed the sports landscape, the Comcast SportsTech program stands as a testament to the power of innovation in sports technology. It fosters groundbreaking solutions that redefine the game, pushing the boundaries of what's possible in the world of sports. Learn more: comcastsportstech.com #Innovation #SportsTech #Sports #Technology

Super Bowl LVIII is already making history as the very first event of its kind in Las Vegas, and as the Entertainment Capital of the World, preparations for this #event are momentous in their own right. Led by engineers Vivencio Luna Jr and Bradley Frank, we recently offered journalists a behind-the-scenes look at how our #network team has been preparing Allegiant Stadium for the big game. Come February, we will have deployed approximately 250 5G mmWave radios covering the stadium’s seating areas, back of the house, suites, lounges, press box, concourse areas and entry ways. With expected record #data usage, we’ve been using regular season games as a test run for the #network, relentlessly testing and optimizing to make sure Verizon #customers are experiencing the very #best speeds and #service on Super Bowl Sunday. My #team obsesses over our customers’ network #experience, because when it comes to Super Bowl, we prefer to let the players be the ones to fumble! #thankyouteam #Verizon #iamvz #vteam #engineering #WeAreTestForce #thankyouteam #customer #5G #collaboration #teamwork #lasvegas #vegas #superbowl #engineering #wireless #wirelesscommunications #wirelessnetworks #wirelesstechnology #technology #thankyou #communication #connectivity #customers #customerexperience #reliability #reliabilitymatters #speed #engineers

It’s no secret that digital twins are hot right now. But they aren’t just a fad—they’re a way to reach your customers in ways you never could before 🤯 Here are some of the coolest seat maps we have created: 👉 https://lnkd.in/eH4rmPQ8