From the course: Carter Beauford: Under the Table and Drumming
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Four-stroke roll: Example 2
From the course: Carter Beauford: Under the Table and Drumming
Four-stroke roll: Example 2
- Okay, another approach with that same pattern, that same four stroke, I call it Billy Cobham pattern, and roll or, or style is what I try to do is incorporate that same pattern to other parts of the kit. The cymbals, different toms, hi-hat splashes, and it's something that that I use quite a bit. Once again, I use this quite a bit. And I'll give you a few examples of some of the things that some of ways I use this four stroke roll. One of the ways is I'll start out with a groove or a fill that I use on a couple of songs. One of the songs is "41" as a matter of fact. In the live version of "41," Leroy is taking a solo and in the climax of the solo I go into this four stroke, Billy Cobham kind of fill and what I'm going to do is use the right cymbal and the China Boys as well as the kick drums or the double pedals to back up the cymbals and come down on the snare, with this four stroke rolling.…
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Ants Marching: Performance4m 33s
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Ants Marching: Conversation1m 22s
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Fills1m 19s
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Four-stroke roll: Example 146s
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Four-stroke roll: Example 22m 11s
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Four-stroke roll: Example 32m 10s
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Timpani crossover3m 19s
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Left-hand lead and open-hand approach3m 30s
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Mobility and open-hand approach57s
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Triplet pattern1m 22s
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Satellite chorus part1m 18s
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Left-hand bell patterns22s
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Left-hand lead on bell1m 7s
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Latin left-hand lead1m 45s
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Developing left-hand lead and open-hand approach1m 15s
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Satellite: Conversation35s
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Satellite: Performance4m 25s
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Dave: Conversation2m 5s
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Mixing styles4m 59s
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Overall approach4m 57s
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50 Ways and Lover Lay Down5m 42s
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Lie in Our Graves: Conversation and performance6m 23s
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