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With thanks to Gina C. for the thoughtfully written article as part of NYTimes.com series on responsible fashion. Read the full article…
With thanks to Gina C. for the thoughtfully written article as part of NYTimes.com series on responsible fashion. Read the full article…
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Thank you Glossy and @emmasandler for the article. Loved working with my amazing Living Proof, Inc. team to bring this campaign to life! cc:…
Thank you Glossy and @emmasandler for the article. Loved working with my amazing Living Proof, Inc. team to bring this campaign to life! cc:…
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alice + olivia is currently seeking a District Manager of the West Coast. Interested?? Apply directly to the attached link...…
alice + olivia is currently seeking a District Manager of the West Coast. Interested?? Apply directly to the attached link...…
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Roman Handt
Rorschach tapestry information and process My artistic exploration delves into the intricate interplay between our insatiable consumer culture and the alluring realm of the fashion industry. Through this body of work, I challenge viewers to ponder the profound questions that linger at the core of our human obsession with material possessions. In today's fast-paced world, we find ourselves inundated by relentless marketing strategies that tempt us with a plethora of products, many of which serve no essential purpose in our lives. Despite this knowledge, we are driven by an unrelenting desire to possess these items, prompting us to question the underlying motivations that fuel our behavior. What drives us to perpetuate this endless cycle of consumption, and what psychological forces compel us to constantly seek out the latest trends and novelties? These are the inquiries that guide my creative journey as I seek to unravel the complex web of influences that shape our consumer habits. Drawing inspiration from the enigmatic nature of Rorschach tests, my work invites viewers to explore the subconscious layers of our consumer-driven society. Much like the inkblots in a Rorschach test, my art serves as a mirror to reflect the intricate patterns of our desires and impulses, prompting introspection and contemplation. Through the use of carefully selected materials in my work, I aim to provoke contemplation and spark dialogue about the profound impact of our consumer-driven society. Each element chosen serves as a reflection of the broader narrative surrounding our relationship with material goods, inviting viewers to explore the deeper layers of meaning embedded within our consumer culture. Just as Rorschach tests are designed to reveal hidden aspects of the psyche, my art seeks to shed light on the underlying motivations that drive our consumer behaviors, encouraging viewers to question and challenge the norms that govern our relationship with the fashion industry and material possessions. To see the full process, please view the video at https://lnkd.in/d73FE3zX
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FashionUnited
A wave of masculine refinement is surging through fashion, driven by discerning consumers who crave well-made clothes. Fueled by a renewed appreciation for quality and heritage, this isn't just a fleeting fad – analysts predict the global menswear market will hit a staggering 642.95 billion dollars by 2028.
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Lina Hellgren
Re-use your goodies! Well done H&M for re-using my lovely timeless ditsy, hand-drawn for Kids Exclusive collection in close collaboration with the brilliant concept designer Helena Tibbling Wallertz. If you and your brand are into prints and patterns that can be archived, re-coloured and re-used over and over and over again, you come to me 💛 Love doing more quirky prints, as you can see on my website, but I read any brief with ease, so you tell me what you want and I will deliver 💛 PS. This is an advert promoting myself 💛 New microblog post coming over the weekend, what can it be? A love story? Dream jobs I recently applied to? Conversations with AI? Hmmmmm, there's so much to talk about 💛 And if you have questions regarding my licensing agreement for the "ready to go" prints, do ask, it's for our mutual benefit, and less complicated than it sounds, the print will be yours forever and ever. #reuse #ditsy #print #classic #licensing
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Lydia Brearley
Here's the headlines from Sustainable Fashion this week ⬇ 1) Last week John Lewis & Partners announced they have teamed up with the University of Exeter to develop a framework and strategy for circular designed products, created in line with the circular design toolkit from WRAP. The 20 piece collection includes nightwear and bedding, and supports the retailers commitment that 100% of new 'own-brand' products are to be designed with circularity in mind by 2028. 2) In material news, US workwear brand Carhartt has joined the US Cotton Trust Protocol and Better Cotton in a move towards more responsibly sourced cotton. 3) Biotech specialist CARBIOS has struck a deal with Chinese textile group Zhink Group, to build a bio-recycling plant in China. The plant will use Carbios technology which enables recycling of PET plastic and textile waste into virgin-like products, with the aim of achieving true circularity. 4) Italian synthetic yarn manufacturer Fulgar has launched a new bio-based Nylon (branded as Q-Geo) , which is derived partially from corn-waste. 5) Australian recycling company Samsara Eco, who work with lululemon, has raised AUS $100 million ($65m) in latest funding. The funds will be used to scale-up global recycling capabilities using their enzyme technology to recycle apparel waste, diverting millions of tonnes of plastics away from landfill and incineration. 6) At last weeks The Sustainable Angle Future Fabrics Expo, UK bio-based start up 3D Bio-Tissues (powered by BSF Enterprise) launched their high quality 100% ethical-lab grown leather sample. The leather is grown without harming animals, and can still be treated using traditional methods, and meets the growing demand for alternative leather products. 7) As part of their 'Plan A - Another Life' Campaign - Marks and Spencer have announced a clothing repair service in partnership with SOJO. According to M&S, only 10% of the population feel confident enough to repair clothing themselves, and 60% of consumers want retailers to offer more services which support them to live a more circular life. 8) This week Barbour launched their rental service in partnership with Oxfam at Glastonbury, offering festival goers the opportunity to rent pre-loved, upcycled wax jackets for £45 for the duration of the event. Love the concept, intrigued to know if they all get returned after the rental period 🤔 9) Last week eBay announced the launch of 'Rocket Man Resale' featuring hundreds of items from Elton John's wardrobe! All proceeds will go to the Elton John AIDS Foundation. 10) The latest on the SHEIN - UK human rights group Stop Uyghur Genocide has launched a legal campaign to stop the flotation on the London Stock Exchange (potentially worth £50 billion), although paperwork for a potential London IPO has been filed by Shein 🤮 Have a great week Lydia SPONSORED BY Recomme.co Making circularity work for you https://www.recomme.co/ Image: Barbour
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Drapers
As premium womenswear exhibition Scoop International Fashion Shows celebrates 13 years on the fashion trade show scene, founder and managing director Karen Radley shares her most treasured retail memories as well as advice on how fashion businesses can stay relevant in today's fast-moving market. Subscribe to read more from the interview below. #Scoop #tradeshow #MyFashionLife #womenswear #fashionnews
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Drapers
As premium womenswear exhibition Scoop International Fashion Shows celebrates 13 years on the fashion trade show scene, founder and managing director Karen Radley shares her most treasured retail memories as well as advice on how fashion businesses can stay relevant in today's fast-moving market. Subscribe to read more from the interview below. #Scoop #tradeshow #MyFashionLife #womenswear #fashionnews
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Barcela Distribution
Navigating the world of fashion production can feel like getting lost in Venice's alleys. 🛶 I've been there, trying to find the perfect blend of quality, cost, and speed. It's tough when high production costs, slow time to market, and a maze-like supply chain keep tripping you up. But guess what? You're not alone. Barcela Distribution is your GPS in the apparel industry. 🧭 We streamline the entire process, from design to delivery, so you can focus on what you do best - creating. Ready to bring your 'Made in Italy' apparel collection to life? 🇮🇹 Contact us for apparel sourcing solutions that tick all the boxes. #FashionSourcing #MadeInItaly #ApparelIndustry #apparelsourcing #privatelabelsourcing #privatelabel #lingerie #sneakers #emergingbrands #apparel #brandcollaboration #fashionindustry #apparelmanufacturing #sourcing
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Vanessa Bell
Why Wool? 4 Reasons to Incorporate Wool into Your Wardrobe 1. Examine the Label When making sustainable choices, examining the label is essential. It's a brand's assurance to you, the consumer. Opting for natural fibres such as Merino wool over synthetics can significantly reduce pollution in our lands, waterways, and oceans. 2. Choose Quality For A Long Shelf Life Wool garments are built to last. Did you know a global study found 9% of woollen clothes were purchased over a decade ago, compared to just 4% for polyester clothing? Investing in wool means investing in pieces that stand the test of time. Our exquisite hand crafted baby blankets are designed to last for generations as keepsakes, you can shop the collection here: https://lnkd.in/e2Z_3qgh 3. Easy Maintenance Woollen clothing require less frequent washing and can be washed at lower temperatures, reducing their environmental impact. They use less water, energy, and produce fewer greenhouse gas emissions compared to synthetic garments. In fact, woollens were only present in 8% of tumble dry loads according to the same study. 4. Embrace Circular Fashion When considering your wardrobe, think about whether the garment has been designed for longevity. Can it be worn, reworn, repaired, or recycled? Choosing timeless classics means less production, less consumption and less waste in the future. Fashion's impact crisis requires a collective effort, and while Merino wool may not be the sole solution, it's certainly part of the journey towards positive change. Let's embrace wool's sustainable benefits and work together to make a difference. Oh and it's just a bit fabulous, join me in incorporating wool for a greener, more chic and sustainable wardrobe! Tory Archbold Simone Clow Alice Clark Alison Shamir Alice Kerrison Abbie James Marianne Perkovic, BEc, MBA, GAICD Ainsley Simpson Jaana Quaintance-James Matt Jensen Chakriya Bowman Marcella Larsen Phoebes Garland Amanda Balcombe Sonia Bestulic Julie Hyde Louise Siwicki Tanya Neal Hermann Leiningen Craig Bingham Alexandra Tullio Danielle Morton Crystal McGregor Michael Taylor Fiona Jefferies Fiona Aveyard Alex Fevola Giovanni Laudicina - MBA, GAICD
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Meghan Erin
After decades in the fashion industry, veteran designer Mara Hoffman will be shuttering her doors. Anyone working in apparel today understands the ongoing struggle between sustainability and commercialism. It is a challenge that even the most acclaimed brands can fall victim to. Vocalized consumer, and media, demand for sustainable products is simply not being met by their spending patterns. Virtue signalling is nothing new, but society is finally recognizing the toxic implications of the phenomenon. Brands respond to perceived demand for sustainable options, and then are met with less than exemplary results or even sales losses, due to cost increases. This leads to mass levels of inventory being marked down past financially sustainable levels, and even discarded or destroyed... generating ever more waste! So what does this mean? DO WE JUST GIVE UP!?!! I say no. While challenges to minimize the apparel industries environmental footprint are daunting, they are not insurmountable. The consumer has spoken, and we must listen. Sustainability is a priority, but it is not the defining factor in their purchasing behaviour... at least for now. So what can brands do to minimize their environmental impacts without harming their bottom line? 1️⃣ Focus product assortments-- Less is more. Focus development and marketing dollars towards the features and benefits of a select few products, while streamlining the assortment so that each new product launch has the space to be highlighted. 2️⃣ Simple is better, Pure is best-- When selecting materials, source fabrics with simple, or even better, pure fibre blends. While a sweater containing 30% Recycled Nylon and 20% Organic Cotton may sound better than a 100% Acrylic alternative, from a circularity standpoint, the blended fibre garment is much worse. Current recycling technologies are not yet able to separate blended fibres, limiting the usability of blended fibre garments post-consumer. That's not to say blended and regenerated fibres shouldn't ever be used, but they are not the whole solution. If you must use blended fibres, ensure proper testing is done to maximize garment longevity and durability. 3️⃣ Aesthetic and functionality cannot be compromised-- Designers must design into the limitations that sustainability and circularity mandate. They must work within a box to create out-of-the-box innovations. The consumer will pay more... but only if they still see the aesthetic and performance value as being greater than their non-sustainable counterparts. While I am sorely sad to hear Hoffman will be closing her doors, I am excited to see where the designer lands next. My prediction is either a high profile creative directorship, or a new venture altogether. Either way, I am certain this is not the last we have heard from Hoffman. ❓ Have you faced challenges converting your customer to more sustainable options.... what solutions worked/didn't work for you ❓
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Mabel Casalini
"Embarking on a cinematic odyssey with Oliver Hermanus at the helm, the upcoming McQueen biopic promises to unravel the extraordinary tapestry of Alexander McQueen's life. A convergence of fashion brilliance, biographical drama, and cinematic elegance awaits, marking a tribute to the iconic British designer. Stay tuned for a visual journey through the threads of history and style. #McQueenBiopic #FashionFilm #CinematicJourney"
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Amanda Fox
🌟 Embracing Diversity in Fashion 🌟 At Dressability, inclusivity knows no bounds – it's about celebrating individuals of all abilities, whether able-bodied or differently abled. We firmly believe that fashion should be accessible to everyone, regardless of age, gender, or physical capability. Our services are tailored to cater to every unique individual, from seasoned fashionistas seeking style transformations to those just beginning their style journey. With our inclusive approach, we strive to ensure that everyone feels confident and empowered in expressing their personal style. #DiversityandInclusion #InclusiveFashion #FashionEmpowerment #ProfessionalDevelopment #CareerGrowth #FashionIndustry #WorkplaceDiversity #FashionCareer #InclusiveCulture #Empowerment #FashionCommunity #FashionLeadership #FashionTrends #CareerProgression #InclusionAtWork #FashionForward #FashionBusiness #LeadershipDevelopment #FashionNetworking
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Anju Shetty
Navigating the Dichotomy of Quality and Sustainability in the Fashion Industry Would like to share these 2 stories with you Story 1: The Lesson in Imperfection Recently, I acquired a beautiful salwar from an NGO that I've been supporting for over two decades. Upon closer inspection, I noticed a small patch where the indigenous dye print hadn't adhered properly. Initially, I hesitated, deeming it a defect. But then, a deeper reflection ensued. This wasn't just a flaw; it was a testament to the hands behind the garment. Crafted by women striving to make ends meet, each stitch told a story of resilience and determination. It was a poignant lesson in sustainability—not just in terms of environmental impact, but in the preservation of human dignity and empowerment. Story 2: The Selvedge Variation Conundrum During my recent visits to garment factories, discussions veered towards centre to selvedge and selvedge to selvedge variations—a technical term with significant implications. In one particular conversation, the dichotomy between sustainability and quality consciousness became starkly apparent. Fabric rolls that deviated from prescribed standards were deemed unworthy and sent back to the factory. However, this rejection didn't equate to elimination. It got me thinking about the journey of rejected fabric, traveling back and forth, ultimately sold off elsewhere at a much cheaper rate and during its journey also incurring extra cost. This cyclical process raises pertinent questions about the true sustainability of our industry. Navigating the Dichotomy: Thought-Provoking Ideas 1. Redefining Quality: What if we expanded our definition of quality to encompass not just aesthetic perfection, but also ethical sourcing, fair labor practices, and environmental responsibility? By prioritizing these values, we can shift the paradigm towards a more holistic understanding of product integrity. 2. Innovative Solutions: Embracing innovation is key to reconciling the tension between quality and sustainability. From technological advancements in waste reduction to circular economy models that minimize resource consumption, there are myriad opportunities to reimagine our approach to fashion production. 3. Consumer Empowerment: As consumers, we hold significant power to drive change. By advocating for transparency, supporting brands with ethical practices, and embracing conscious consumption habits, we can catalyze a shift towards a more sustainable fashion ecosystem. 4. Collaborative Efforts: True progress requires collaboration across the entire supply chain—from brands and manufacturers to policymakers and we can collectively work towards a future where sustainability is not just a buzzword, but a fundamental principle of the industry. What are your thoughts on what should be the call to action? #FashionIndustry #SustainabilityInFashion #FashionRevolution #SustainableStyle #ConsciousConsumption #CircularFashion #FashionCommunity #FashionForChange
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PeppaRose
Fashion 👗 is a Reflection of Self How we dress and what we wear are deeply personal reflections of how we see ourselves. Jacqueline Lampert, Founder and Creative Director of PeppaRose, shares how this understanding shapes her creative process: "For me, design is always personal. As a creative person, I often find myself brimming with ideas and possibilities. But, the avalanche of ideas and creativity can be overwhelming, leading to a standstill. To navigate this, I rely on a guiding principle, a north-star. I design for myself, envisioning what I would want to wear but cannot find. What would I choose if I were sailing on a luxury cruise through the Greek Islands? Is it beautifully crafted? Unique? Sustainable and ethically made?" These are just a few of the essential questions that steer the creative journey at PeppaRose, resulting in our distinctive and exquisite designs.
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Dr. Vidhura Ralapanawe
The biggest elephant in the room is how the Scope 3 emissions calculated. Are they technically and methodologically correct? This is unclear. And since the methodologies are not standardised, its not really possible to compare. H&M showed 11% reduction in scope 3 in 2022, which jumped to 22% by 2023, which was based on a methodology revision (see the 2023 sustainability disclosure) using granular data - the methodology and calculations are not in the public domain. The scope 3 accounting (and reduction?) have gone through 4 phases - and since not everyone is on the same phase and since there is no standard methodology, comparing their scope 3 reductions is not effective. Here are the phases IMO. 1.. Use average values for garments (Higg MSI/PM) to calculate scope 3 emissions. In my opinion, average data has limited accuracy for this purpose. 2. Shift to 'more sustainable fiber' and use Higg MSI/PM data for these to reduce scope 3. Again, the underlying data is not representative for this purpose. 3. Get more granular factory data (from tiers 1 & 2) and use proprietary methodology to calculate scope 3 emissions (for tiers 1 & 2) to move away from average values (see H&Ms methodology revision note this year). More accurate - but then baseline and reductions use two different methods as its not possible to get same granular data for baseline year. 4. Remove what is (IMO incorrectly) labelled as extraneous emissions in tier 1 & 2 (such as energy used in office spaces). You can get this type of data from FEM4 (but not validated/verified). So bulk of these scope 3 emission reduction strategies are fancy and selective accounting, as if carbon accountants will save us from the #climateabyss. What we also see is an appropriation of the work done by the value chain (and their countries), without any support from the brands to decarbonising their own facilities, by nicely showing off as if the brands did it. The fact that media and analysts do not see this appropriation is unfortunate but unsurprising. Unless the brands are forced to report the scope 3 reduction that was directly supported by them, this will not stop. #decarbonisation #fashion
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Negin Dezfouli
The late 16th century marked the rapid development of lace, both needle lace and bobbin lace became dominant in both fashion as well as home décor. For enhancing the beauty of collars and cuffs, needle lace was embroidered with loops and picots. Wikipedia When did sheer clothing become popular? See-through fabrics have been featured heavily on high-fashion runways since 2006. This use of see-through fabrics as a common element in designer clothing resulted in the "sheer fashion trend" that has been predominant in fashion circles since 2008. https://lnkd.in/dJzERHHC. What are see-through dresses called? Other forms: diaphanously. If a dress is so see-through that light shines through it, it's diaphanous. You could also call it "sheer" or "transparent," but diaphanous sounds much fancier. https://lnkd.in/dTsXznXz. Why is sheer clothing trending? Perhaps it's an act of cultural pushback against the government's puritanical restrictions on women's bodies. Maybe it's a sign that we shouldn't be so concerned with our own nakedness. No matter how you wear it, sheer is sexy, subversive, and powerful. https://lnkd.in/dByaZtDd. We discussed a lot about the covering and dress and fashion in society, is being naked a powerful tool for women in public places in society based on the things we mentioned?
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Alice Payne
CALL FOR PAPERS! The call for papers of the Issue 4 of Fashion Highlight Journal, entitled “Fashion’s Fibres as Planetary Flows” is open now: https://lnkd.in/gmD6nNJZ This Call for Papers proposes a planetary perspective on fibre, one in which fibre is viewed as material flows and forces on and of both human and non-human, the living and the technological, and the crowded continuum between them. We invite papers on individual fibre stories of all forms, from viscose, cotton, wool, silk, polyester, nylon and beyond, on the role of fibre in a circular economy, the governance of fibre, the ethics of fibre, the cultural histories of new and old fibre technologies, fibre and place, and provocations on fibre’s agency and materiality. This call aims to stimulate a dialogue about fibre as the fundamental element of fashion, shaping its present and future. The deadline for submitting a full paper of 3000-4000 words is 31 August 2024. The issue will be published in December 2024. Please share with all who may be interested in contributing. Fashion Highlight is published by Firenze University Press with ISSN 2975-0466, whose Open Access policy requires no fee for publication, while supporting the double-blind peer review process. https://lnkd.in/gs9XaJJ5
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Sarah McVittie
Responding to a great article in The Business of Fashion about why fashion’s curation problem is so hard to solve. The problem is multi-dimensional. As the article states, to do a really good job would, “require cataloguing each product at the same level of granularity.” As Spotify. Therein lies the issue, What is the right data? What is the right level of granularity? Most retailers’ product data is organisational-led, it is not customer-led, it is focused on the “what” not the “why”. Fashion, as a domain, is much more dynamic, on every level, than every other category. Fashion is inherently about “newness”, clothes only exist to be sold for 3-6 months, tastes change as trends change or as we get older. What suits us and makes us feel great depends on body shape, lifestyle, ethnicity, sensibilities. Our experience at Dressipi tells us that customers are evaluating 1000s of product dimensions to decide whether that particular item is right for them, the event they are going to, the weather, whether it will work with those jeans they bought last week... Most retailers rely on personalisation engines that have been built to service all categories. They typically use basic collaborative filtering models, these models completely fail to understand the preferences and intent of the customer and some of the nuances as to why building genuinely good recommendations in fashion is much more challenging. Here are just a few examples: - Our tastes change as trends change. You may have customers like Anabel in the article but equally you might be someone who likes to follow trends. For those customers, they may have previously disliked gingham or checks or florals but if gingham or check or florals are THE key trend this season then that customer won’t just like gingham/checks/florals – they’ll probably end up buying that previously disliked trend. So you need to have a way of figuring out which of your customers are trend-led and which are not. Likewise having bought into that seasonal trend that customer will probably not want to now only be shown gingham/checks/florals - Body shape, gender, ethnicity, and sensibilities matter. An example we often use is that of necklines and large busts - the difference between a crew neck and a round neck is very real when it comes to return rates. - Fashion is one of the only categories where we are buying something to go with other items we own – so styling is key but styling in the context of that customer not only in terms of their preferences but also working with what they already own That doesn’t even touch on size, return propensities, and fragmentation avoidance. All-in-all a complex problem that needs careful, considered thought. Something we have been doing at Dressipi for over a decade. If you’d like to chat more about the product data or the personalisation APIs please DM me. 👗 📈 👖 https://lnkd.in/emwyXr4V
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Nicola Scagnolari
📢 Excited to share this insightful article from Vogue Business addressing the challenges faced by freelancers in the fashion industry and potential solutions. 🌟 Fashion's freelancers are under increasing pressure, navigating the complexities of the gig economy while striving for fair compensation and timely payments. This piece highlights how platforms like Ubooker are important support creative professionals effectively. Kudos to Vogue Business for shedding light on this important issue! 🔗 https://lnkd.in/g7icrQBY #Freelancers #GigEconomy #FairCompensation #Ubooker #VogueBusiness Claudia Wagner MATTER Maliha Shoaib
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Textile Details
Ever wonder if a small piece of fabric attached to clothing accessories known as a label holds a major significance? In clothing, garments without trimmings and accessories are like a boat without a sail. Labels and motifs play separate but essential roles in garment manufacturing. https://lnkd.in/gxB9gRyR #label #motif #whatislabel #labelvsmotif #Typesoflabel #InternationalCareLabellingCodes #TypesofMotif
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