Frank Tyneski

Reading artnet’s recent article on 1stDibs' new price guidance tool brought back memories of my time working in a premier New Orleans gallery. As a senior researcher and writer, it felt like my team was constantly battling with 1stDibs. While it was a great platform, highly vetted works would be removed from the site without warning, and our subsequent email threads were fraught with questions around pricing and authentication. It was clear that the intricacies of art valuation often resist simple solutions. While I’ve always emphasized the importance of transparency and trust in art transactions, 1stDibs' move to offer price guidance raises some questions on how the tool impact buyer and seller confidence. How do you see the role of price guidance tools evolving in the art market? Are they the key to more transparent transactions, or do they risk oversimplifying a complex field? #ArtConsulting #ArtMarket #1stDibs #ArtValuation

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In this Episode of, Designing In The Wild, I do a little deep dive into #LCA for  #productdesign. Discuss the pros and cons of weighted metrics focused on only CO2, and offer insights and strategies for the #industrialdesigner to implement when thinking through #lifecyclethinking and product design. Please enjoy and share if you feel it relevant to your audience. #industrialdesign #designthinking #designstrategy #designleadership #environmentaldesign #ecodesign #greenproductdesign

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Hey hardware founders this will make your life much easier. I'm talking about having clarity and confidence for your product or vision. If your feeling uncertain about your product's direction, or struggling to articulate your vision, you're not alone—and there's a solution! A strategic Industrial design partner can help you achieve this by offering new angles, insights and strategies which can set you up for market success. Together, you can fine-tune your product, ensuring it not only meets but exceeds market expectations. If you would like to have more clarity and confidence in your idea or project, let's connect! Rise Design & Innovation | Los Angeles, California #StartupLife #ProductDevelopment #VisionToReality

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When tactile printing goes wrong…. The paper is heat sensitive which means there are multiple ways to fail. In the laser printer when laying down the basic images. Too cool and ink smears across paper. Too hot and paper begins to react and raise up. In the ZyChem swell printer when raising up images (anything black rises up). Too cool and nothing happens. Too hot and large blocks of diagram rise up while Braille remains too low.

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an elegant embedded wireless countertop charging solution

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Yesterday I saw that Helen Todd (Human) posted the cool Ai Dali experiment: https://bit.ly/4cYATY9 ---- so when I saw her at the AI meetup I told her about an idea I had been playing with, where I would create conversations between two very different people. I did just that, feeding the idea to ChatGPT for a conversation between Martha Graham and Brian Greene, led by a moderator. Here is - word for ChatGPT word - the beginning of that conversation. "Martha and Brian, thank you both for joining us today. To start, could each of you share how your work—whether in dance or in physics—engages with the concepts of space and time? Martha, perhaps you could begin by telling us how these ideas influence your choreographic process? Brian, could you then relate this to how theoretical physics views these same concepts?" Martha: "In my choreography, space and time are the canvas and paint of dance. Each movement a dancer makes is designed to explore and manipulate space—creating shapes, lines, and forms that are only visible through motion. Time, in dance, is not just a measure of duration but an emotional landscape. The rhythm, the tempo, and the pauses are all deeply integrated into the storytelling of the body. My work aims to use these elements not just to entertain, but to evoke and express the deepest emotions and narratives of human experience. Every movement in space is a moment in time, each uniquely capable of communicating something profound about life itself." Brian: "From the standpoint of physics, space and time are the very framework of the universe. In theory, especially in realms like string theory and the fabric of the cosmos, we see that these are not static entities but dynamic, interconnected dimensions that influence everything from the smallest particles to the vastness of black holes. In physics, time dictates the sequence of events—a fundamental parameter that can bend and warp just like physical space under the influence of gravity. Understanding space and time is crucial not only for theoretical insights but also for practical applications like GPS technology or predicting cosmic phenomena. In essence, physics seeks to decode the language of the universe through these concepts, revealing the underlying order and beauty akin to what is explored in dance." Moderator: "Thank you, Martha and Brian. It's enlightening to see how dance and physics approach space and time. Martha, you've shown us how dance manipulates space and expresses time emotionally, making abstract concepts tangible through movement. Brian, you describe these dimensions as dynamic elements of the universe, influencing everything from particles to galaxies, which adds depth to our understanding. Both of you explore how elements—whether dancers or particles—move within their environment..." I'm at character limit, but think about this. Who would you like to see in a conversation?

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In 2014, Tandem worked with #RufusLabs designing this oversized wrist wearing communication device. It might seem insignificant today, but for its time, it was one of the very early ones out there. Personally, I wish the product size could be 40% smaller yet still support 16:9 aspect ratio. This allows people of various sizes wear it with ease and glance at important information on the go. It's time to start design something to optimize mobile product experience. #tandemdesign #wearables #IoTDesign #Designer #ProductDesigner

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Worth revisiting this article on the lessons of building products for mixed realities. https://lnkd.in/eaneMUK7 #design #designthinking #designbuild #designstrategy #product #producctdesign #productmanagement #productstrategy #designprinciples #innovation #designers #digitaltransformation #ux #uxdesign #uiux #uidesign #designinnovation #application #software #softwaredesign #usability #userresearch #research #usercentereddesign #productleadership #uxwriting #designsystems #empathy #interfacedesign #usabilitytesting #userexperience #productdesign #accessibility #ui

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Happy Design Friday! We are incredibly honored to win the Green GOOD DESIGN Awards, recognizing global innovators who promote a healthier, more sustainable future through exceptional products, services, and ideas. https://lnkd.in/ey6vZNPq About the project: Introducing A3 Global: A pioneer in developing equipment that revitalizes and replaces batteries in hybrid and electric vehicles (EVs). A3 Global is committed to empowering both small businesses and large vehicle fleets, enhancing the lifecycle of energy storage devices through a blend of advanced electronics and chemistry. This approach positions A3 Global as a leader in delivering electrochemical solutions within the renewable energy sector, making sophisticated science accessible for daily use. The Challenge: A3 Global strives to simplify the intricate process of refurbishing EV batteries, which requires testing numerous cells and utilizing complex equipment and specialized expertise. In collaboration with Loft, A3 Global has developed a groundbreaking instrument tailored for various battery chemistries, providing an essential toolkit that supports the EV infrastructure and champions the principles of the circular economy. The Solution: A3 Global offers a suite of HEV/EV Battery solutions that combine state-of-the-art electronics with innovative technology, streamlined into an easy-to-use workflow for car shop managers and operators. Together with Loft, A3 Global has engineered a new instrument and operating model designed specifically for processing and diagnosing Li-ion batteries in electric vehicles. Thanks to the combined efforts of our engineering and design teams at Loft, who leveraged extensive customer research, advanced thermal modeling, and industry-leading practices, we have developed the next generation of A3 equipment. This new platform is not only user-friendly and quick to deploy but also facilitates the repurposing of EV batteries for a second life, reinforcing our commitment to sustainable mobility and the circular economy.

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Innovative solutions emerge from a deep understanding of what people are missing from everyday products. 🤔 At Beyond Design, Inc., our designers uncovered key insights about single-use cutlery through extensive research at hospitals and eateries. Users sought more hygienic, intuitive dispensers without electronics, and establishments required minimal waste and effortless maintenance. Keeping hygiene and sustainability needs top-of-mind, we developed the Simpull Touch for US Foods. The Simpull uses an ingenious mechanical system that dispenses utensils one at a time, eliminating the need to touch anything other than the end user’s tableware. The Simpull’s vacuum-formed cartridges outperform typical dispensers and fit 300 utensils in universal slots for forks, spoons, and knives. Plus, implementing Braille and icons on the kitchenware makes this product accessible to users with vision impairment. By enabling a product experience with minimized touch points, the Simpull Touch promotes hand hygiene and counter organization. Its thoughtful cartridge system also simplifies upkeep by allowing quick replenishment. At the heart of this solution lies our human-centered design process. We uncovered the needs of both the people using the Simpull and the establishments housing them. Bringing those enhancements to life, we engineered dispensers designed for a safer, more sustainable future. The Simpull Touch stands out through research-backed insights, not just slick hardware. Our passion for understanding people will continue driving innovations that make life simpler. Read more about the Simpull Touch at our work page linked in the comments.

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When attending shows, use SwatchEditor to send design links to clients or back to the office. You can also send a collection of print designs. This saves sending jpgs and allows you to control your files in a safer way. If you sell the design you can delete it from the link. Sending files this way allows viewers to interact in 3D and view designs on a silk twill as well as on garments, or whatever 3D products you upload. They can play with scale, colour and placement and see how the design will look on folds and pleats. You can place multiple prints on an outfit as well as block colours and scans or photos of knits and weaves, helping inform better buying decisions.

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Hard to keep up with the amazing Doug Powell and his podcast This Is A Prototype: The Design Leadership Podcast with Print Magazine. I will admit, that while it is always fun to record these interview, I dont generally relish listening to the recordings after the fact. Yet, the first episode of my discussion with the amazing Kate Aronowitz from GV (Google Ventures) held up pretty well. I finally had a minute, after my younger daughter’s college graduation, to listen to Part 1 of our discussion. Totally inspired by so many of the themes that Kate touched on in: •   I really appreciate her challenging some of my recent Fast Company series on design leadership for centering the voices of folks of a certain level of tenure, history and privilege and calling out the need to engage and invest in the next generation of design leadership, particularly the folks working at startups who “probably dont look like” us. At Dalberg Design we have invested in a robust leadership development model for this very reason as we cultivate diverse talent in markets like Dakar, Mexico City, Mumbai and Nairobi. •   Related, Kate and Doug speak passionately about the design field becoming less territorial and find ways to better support the next generation as we go through our next evolution, which Kate is at the front lines of in her role as GV’s design guru. We dont “have to compete with one another. we could help move talent around and build the discipline together.” It is also one of the reasons I took my practice to the public sector. There is a refreshing openness among designers working in this field that was missing in my days in corporate design at frog. We have a collective responsibility to grow the field and establish the valuable role that design can play in social movements and systems change. •   I was also so inspired by Kate's commitment to building and nurturing communities that brings more senior and up-and-coming talent together. Many designers at early-stage startups are still working largely on their own and lacking community, which is something Kate is working tirelessly to build. I see our global as similarly inspiring and in need of community that is culturally relevant to them. It is a generation of diverse talent who are developing a powerful voice as they navigate their parallel journeys. One of the reasons we started our design practice at Dalberg was to give them a home and community. I hope that you will find these and other messages from the podcast equally inspiring. Please tune in for Part II, which launched last week and share your thoughts and reflections. Listen now 🎧 https://apple.co/3QVHJnM

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“Oh, I could design that in 5 minutes” Yeah, that's a bit triggering for us at Upstory. Great design looks effortless, but behind every simple design is a deep well of thought, experimentation, and meticulous refinement. The Illusion of Simplicity Simplicity in design is often misunderstood. It’s not just about minimal effort; it's about achieving maximum refinement. Simple designs don't just appear; they emerge from an intensive, iterative process where every detail is scrutinized and polished until only the essentials remain. Tackling Design Complexity At the start of a project, it’s easy to underestimate the complexities involved. This often leads to unrealistic expectations about budgets and timelines, especially when facing unique technical challenges and intricate user needs. Here’s How We Handle Budgeting in Design Work at Upstory: Consult Your Designers From the get-go, convey the project scope and requirements clearly. Have your designers set realistic expectations and be ready to adjust if more resources are needed. They'll naturally factor in time for creative exploration. Expect Back and Forth Design refinement is a continual process. It typically takes several rounds of feedback to simplify and perfect the designs. As you get better at providing effective feedback, you might find yourself pleasantly surprised by the pace of progress. Flexibility in Budgeting Always be prepared for the unexpected. Whether it’s a last-minute feature addition from the CEO or a technical snag uncovered late in the game, things happen. Staying ahead of these surprises is key. Mastering simplicity in design is really about managing and embracing complexity. At Upstory, we make the hard look easy. 🎨

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Finding Design Inspiration in Unexpected Places: Why Wile E. Coyote is One of My Design Heroes In the world of design, we often look up to legendary figures like Dyson, Loewy, Ive, or Rams for inspiration. Their contributions have undoubtedly shaped the way we approach design today. However, when asked about one of my design heroes, I often receive surprised reactions, especially from fellow designers. Instead of naming a conventional figure, I proudly declare that Wile E. Coyote is one of my greatest inspirations. Allow me to explain why. 1. Innovative Thinking: Wile E. Coyote's relentless pursuit of catching the Road Runner demonstrates his innovative mindset. Despite facing countless failures, he continuously thinks outside the box, devising new schemes and inventions in his quest to achieve his goal. This willingness to push boundaries and explore unconventional solutions is a trait every designer should embrace. 2. Resourcefulness: Wile E. Coyote exemplifies the concept of making do with what you have. Whether it's using ACME products or cobbling together makeshift contraptions from household items, he demonstrates remarkable resourcefulness. This ability to work with limited resources teaches us to be adaptable and creative in our approach to problem-solving, even when faced with constraints. 3. Persistence: Perhaps Wile E. Coyote's most admirable quality is his unwavering persistence. Despite the countless setbacks and mishaps he encounters, he never gives up on his pursuit. His determination serves as a reminder that success often requires perseverance in the face of adversity. As designers, we must learn to embrace failure as part of the creative process and remain steadfast in our efforts to overcome challenges. 4. Adaptability: While Wile E. Coyote's primary goal may be catching the elusive Road Runner, he demonstrates a remarkable adaptability when his plans inevitably go awry. He quickly adjusts his approach, learns from his mistakes, and iterates upon his designs in pursuit of success. This agility is crucial in the ever-evolving field of design, where flexibility and adaptability are key to staying relevant and innovative. In conclusion, while Wile E. Coyote may seem like an unconventional choice for a design hero, his qualities of innovation, resourcefulness, persistence, and adaptability are invaluable traits that every designer can learn from. By embracing his spirit of relentless pursuit and creative problem-solving, we can unlock new realms of possibility in our own design journeys. So, the next time you find yourself facing a daunting design challenge, remember the lessons of Wile E. Coyote and dare to think outside the box. #design #hero's

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Join me and my guest, George Aye, for Episode 136 of the #DesignThinking 101 #Podcast, the first DT101 Live! episode: Design Ethics. You can listen, AND watch the live recording. See link in comments. #design #ethics #EthicalDesign

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Little Japanese design tip: Beware of parentheses in tight spaces. Japanese parentheses have extra padding on the convex side which prevents neighbors from getting too close. This helps with body text legibility, but causes problems among many tightly spaced elements like forms or navigation. In this search filter example, the closing parentheses triples the space behind the label, making it hard to know which option the checkbox belongs to. The UX writing is also contributing to the problem. Each label includes two near-synonymous terms, perhaps an attempt to extend understanding to non-experts.

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Great design leaders know that cross-functional collaboration is key to creating cohesive and innovative products. Here's the rundown: Facilitate Communication: Make sure there's clear, open, available communication between departments. Establish Common Goals: Get everyone aligned around shared objectives. Regular Interdisciplinary Meetings: Keep those check-ins and collaborative sessions frequent. Cross-functional collaboration creates more cohesive product development, leveraging each department’s strengths for better outcomes. Design leaders should actively promote and facilitate collaboration across all functions to drive innovation and efficiency in product development. 🤝

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I recently had an article featured in Industrial Designers Society of America (IDSA)'s Innovation Magazine! The issue focuses on "Seduction in Industrial Design" and in it I discuss the advantages of designing sustainably. Let me know what you think!

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