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Marianne Dashwood is a major character in Sense and Sensibility. By the end of the novel, she is married to Colonel Brandon. She is the middle daughter of the late Henry Dashwood and his second wife[1]. She has one older sister, Elinor Dashwood Ferrars; one younger sister, Margaret Dashwood; and one older half-brother, John Dashwood. She is sister-in-law to Fanny Dashwood and Edward Ferrars. She is an aunt of Harry Dashwood's.

Biography[]

Early Life[]

Marianne resided nearly all her life at Norland Park, the estate her father inherited from an elderly gentleman. The park became her dearest home.

Father's Death[]

When her father died, the estate was left in such a way that would destroy half of the bequest. Therefore, it had to be left to John Dashwood, the Dashwood girls' elder half-brother who was raised apart from them and who was greedy. The Dashwood women were reduced to guests in their old home after Fanny Dashwood descended onto Norland with Harry in tow, without a note to Mrs. Dashwood telling them of her arrival[1]. Marianne immediately disliked Fanny.

They stayed there for months until a letter arrived from Sir John Middleton of Barton Park, a relative of Mrs. Dashwood's. He offered the use of Barton Cottage, one of his smaller properties. Mrs. Dashwood immediately accepted, unable to stomach living with her stepson and his wife any longer[2].

At Barton[]

When Marianne is helped by the dashing John Willoughby , she falls deeply and sincerely in love with him, abhorring all society's demands, and ignoring her sister’s rational warnings that her impulsive behavior leaves her open to gossip and innuendo. His painful spurning of her, and the shocking discovery of his dissipated character, finally causes her to recognize her misjudgment of him. She acts exactly as she feels, thus making herself and everyone around her miserable when Willoughby leaves her, as opposed to her sister, who keeps the secret of Edward’s prior engagement to another in quiet, thoughtful composure.

Marianne treats her acquaintances in general with inattention and sometimes, contempt, recoiling from vulgarity, even when it is accompanied by good nature (like Mrs. Jennings), treating her selfish half-brother and his snobbish wife with disgust, totally ignoring the grave Colonel Brandon because of his age and a former love, and making no attempt at civility to insipid Lady Middleton. The people she does love, however, she loves with warmth that leaps over all barriers—even barriers of propriety. Her sorrows, her joys, her antipathy and her love will have no moderation—no concealing.
Marianne’s form is “not so correct as her sister’s,” but “more striking,” and her features are all good, her face is “lovely”: her skin is very brown, but from its transparency, “her complexion was uncommonly brilliant,” and in her eyes there is “a life, a spirit, an eagerness which could hardly be seen without delight.”

Still grieving over having lost Willoughby, she ignores her health she falls dangerously ill with a putrid fever, and nearly dies as a result. But she does recover, and comes to see the error of her ways, hoping now to instead model her character on her elder sister. She later agrees to marry Colonel Brandon, and eventually grows to love him.

Personality and traits[]

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Kate Winslet as Marianne Dashwood in Sense and Sensibility (1995)

Marianne Dashwood embraces spontaneity, excessive sensibility, love of nature, and romantic idealism: Marianne weeps dramatically when their family must depart from “dear, dear Norland,” and later in the book, exclaims, “Oh! with what transporting sensations have I formerly seen them fall! How have I delighted, as I walked, to see them driven in showers about me by the wind! What feelings have they, the season, the air altogether inspired! Now there is no one to regard them. They are seen only as a nuisance, swept hastily off, and driven as much as possible from the sight.” At which the cooler Elinor replies quietly, “It is not everyone who has your passion for dead leaves.” And later when she hears Sir John Middleton’s account of Willoughby, her eyes sparkle, and she says, “That is what I like; that is what a young man ought to be. Whatever be his pursuits, his eagerness in them should know no moderation, and leave him no sense of fatigue.”

Relationships[]

Elinor Dashwood[]

Her elder sister. They share a typical sister bond, close one minute and chastising each other the next minute. They have different approaches that ultimately amount to the same romantic desires which they ultimately come to understand each other better as sisters.

Mrs Dashwood

She gets her romantic ideals from her mother whom enables her. Mrs Dashwood was very worried about Marianne’s illness and very relieved when she recovers. While Mrs. Dashwood doesn’t think Colonial Brandon as dashing as Willoughby, She prefers and endorses his affections towards her in the end.

Margaret Dashwood[]

Her younger sister, who has imbibed a good deal of Marianne's romance without her sense. They share a typical loving rivalry sibling. Marianne will love her one minute, chastise her the next, and then scold her another minute. She loves and looks after her younger sister.

Marianne confides in her about Elinor and Edward's attachment, but tries to deny it when Margaret tells Sir John Middleton and Mrs. Jennings. Margaret witnesses several of Marianne and Willoughby's interactions and believes they are engaged. When Marianne returns to Barton Cottage after her illness, she looks forward to seeing Margaret.

John Willoughby[]

He is Marianne's first love interest. She admires his youthful charm and believes he embodies what a dashing man should be. They are actually considered an old fashioned view a what twin flames are.

Colonel Brandon[]

He is bewitched by Marianne when they first meet, based on her resemblance in appearance and personality to his cousin Eliza Brandon, but Marianne believes he is too old for marriage. She avoids him when she can. After Colonel Brandon rescues her at Cleveland, she comes to respect him. Their relationship is encouraged by her mother and older sister, and in the end, Marianne marries him a year after Elinor marries Edward Ferrars.

Lucy Steele

Marianne, at first, is cordial and positively acquainted, however, this changes due to their positions with Edward and Elinor. In a few versions of the films Sense and Sensibility, Lucy pretends to be caring of her towards Elinor, but quite rude to Marianne when it came to Edward, and several versions are shown were Marianne is shown to directly opposed her and dislike her after her true colors are revealed about Edward for her preference of her sister, Elinor.

Fanny Dashwood

Marianne has a strong dislike for her sister-in-law. Marianne thinks she is selfish and insufferable while Fanny considers her spoiled and irrational. The dislike is mutual, stronger regarding Marianne’s side.

Gallery[]

Notes and references[]

  1. 1.0 1.1 Sense and Sensibility, Chapter 1
  2. Chapter 4 and 5
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